Showing posts with label freedom to read. Show all posts
Showing posts with label freedom to read. Show all posts

Sunday, June 9, 2013

I'm Back...

After a month since my last post, I am pleased (and relieved) to write that peace has returned to both my personal and professional lives; therefore, it's safe to say: I'm back!

Blog:
Thanks to talented graphic artist Mallory Rock, I now have the perfect blog header! During my hiatus, I wrote a few blog posts. I'll share them here:


Library school:
On Thursday, May 9, alongside my SLIS colleagues, I participated in commencement at Wayne State University. It was a very memorable day as I've never before 'walked' for any of my commencements -- including high school. One of my favorite SLIS instructors, Sue Todd, was even present backstage while we waited for our names to be called.

After graduation, I had lunch at the Raven Cafe in Port Huron -- the perfect place for a bookish nerd to celebrate. Here are some pictures from the day...

Camille Chidsey and I

 
My "librarian" charm bracelet from Anne

Career:
I'm now a Library of Michigan certified Level 2 Public Librarian!

Tuesday, May 28, 2013

Kicked to the Ditch

This morning, I renewed my membership to the American Library Association for the first time as a professional and not as a student. It was certainly a bittersweet moment which left my checking account a bit lighter...

What you are about to read is nothing new in the Michigan LIS-world -- a common complaint, which now I can officially join the ranks. With my ALA membership, two divisions (PLA and YALSA), and round table renewal, my overall cost was less than renewing my entire membership with the Michigan Library Association.

Setting cost aside and just browsing the conference notes from colleagues, I have come to the unfortunate conclusion that the Michigan Library Association is geared more towards larger suburban and urban public libraries than smaller, rural libraries.

Newsflash? No...

Taking a gander at statistics compiled from the public library survey (2012), almost 60% of Michigan's public libraries are on the smaller end of the spectrum: Class 1 - 3. Am I missing something? Or is MLA?

At $170.00 for an unaffiliated individual membership (meaning that my employing institution is not a member and I am not getting a discount), I damn well want my State organization to at least acknowledge the existence of small, rural libraries and subsequently offer workshops/seminars that are relevant.

Kicked to the curb. Hold on...  

It's so rural where I live that we don't even have curbs. 
How about this: kicked to the ditch.

With my savings, I opted to join the Freedom to Read Foundation -- a cause near and dear to my heart -- and will likely attend a few workshops hosted by the Historical Society of Michigan.

I wonder if they will miss me... Doubtful.

Source
Library of Michigan. (2012). Michigan public library survey statistics. Retrieved from
http://www.michigan.gov/libraryofmichigan/0,2351,7-160-18668_61707---,00.html


Author's Note: I've considered trying to be part of the solution by collaborating with area libraries in order to develop a conference presentation which will target small, rural libraries; however, it seems that MLA membership is pretty sparse in this region... Thoughts: Lack of interest? Or do they feel as though they haven't been adequately represented?

Monday, December 31, 2012

A Part-Time Indian

Yesterday, I finished reading The Absolutely True Diary of a Part-Time Indian by Sherman Alexie.

As you can probably surmise, I was pretty irritated when I read an article about a recent challenge to this book in the West Valley School District.

Alicia Davis, a parent (and elementary school teacher in the district), expressed her concerns about the book -- citing a specific passage in which a racial slur was used against the book's protagonist. The slur was also offensive to African Americans. Davis read the book herself and came to the conclusion: "I just would not want my 12th-grader reading something like this in public school."

While I admit, the passage upset me, too...but I realize that was the very point of it. The Absolutely True Diary of a Part-Time Indian is classified as a piece of contemporary realistic fiction which is known to focus on tough issues such as suicide, anorexia, racism, and bullying.

Alexie wanted to give the reader a true taste as to what Junior was experiencing in his life as a freshman in an all-white high school -- not a sugar-coated one. This is a story about a boy who experiences bullying and who is struggling with his identity -- all while attempting to hide his poverty from his classmates. Alexie touches upon at least two major issues, bullying and identity struggles, which I can see high school students nodding their heads in collective agreement.

Three cheers to Joshua McKimmy, the English teacher:
"Our job as English teachers is to promote reading and to give kids access to life through reading. If kids are just given the classics all the time — I wasn’t a student like that; I wouldn’t read classics or anything...Then I read some young adult books that I could identify with, and then I’ve become a reader because of those books...The book is a gateway for reluctant readers, and more, it deals with issues his students are very familiar with as teenagers...They really identify with Junior’s problems...One of his main problems is that he exists in the Indian world and the white world...Kids struggle with identity; that’s kind of what high school is."
Earlier today, I worked on my reflective essay (a requirement for graduation) and cited a quote by Lester Ashiem which is very relevant to this situation:
Selection, then, begins with a presumption in favor of liberty of thought; censorship, with a presumption in favor of thought control. Selection’s approach to the book is positive, seeking its values in the book as a book, and in the book as a whole. Censorship’s approach is negative, seeking vulnerable characteristics wherever they can be found – anywhere within the book, or even outside it. Selection seeks to protect the right of the reader to read; censorship seeks to protect – not the right – but the reader from himself from the fancied effects of his reading. The selector has faith in the intelligence of the reader; the censor has faith only in his own (Preer, 2008, p. 79).
My thoughts:
To the concerned parents: Would you rather have your child check this book out at the public library (which is very likely) and read it without the supervision, guidance, and subsequent classroom discussion? This is a teaching moment...an opportunity for growth and perspective taking. USE IT.

 I wish that I had something more profound to say about the book, but alas, I am still feeling under the weather. I thoroughly enjoyed the read and wholeheartedly concur with a colleague (Jaema) when she stated that she wished the book was longer. Like Chbosky's The Perks of Being a Wallflower, I found this piece particularly moving and felt empathy for the protagonist. If YA lit, and/or contemporary realistic fiction is your thing, this book should definitely be on your radar.

Relevant links:
American Indians in Children's Literature: Reviews of Part-Time Indian
Sherman Alexie: Why the Best Kids Books are Written in Blood
American Library Association: Top Ten Challenged Books by Year, 2001 - 2011
Hermionish: On Contemporary Realistic Fiction
Darkness Too Visible
Gurdon: My 'Reprehensible' Take On Teen Literature

Wednesday, December 19, 2012

The Perks of Being a Wallflower

Two hours ago, I finished The Perks of Being a Wallflower by Stephen Chbosky. It's been on my radar for awhile now, but I just haven't had the freedom to make much progress on my list of books for pleasure reading as of late.

With the likes of Megan Cox Gurdon and her infamous article about the dangers of contemporary YA fiction, it should come as no surprise that The Perks of Being a Wallflower landed itself among the top ten on ALA's Top 100 Banned/Challenged Books list for the 2000-2009 decade. (Read an earlier post I wrote about Gurdon's article.)

Sherman Alexie, author of the YA novel, The Absolutely True Diary of a Part-Time Indian, said in an article for WSJ titled, Why the Best Kids Books Are Written in Blood:
Does Mrs. Gurdon honestly believe that a sexually explicit YA novel might somehow traumatize a teen mother? Does she believe that a YA novel about murder and rape will somehow shock a teenager whose life has been damaged by murder and rape? Does she believe a dystopian novel will frighten a kid who already lives in hell?
In which Gurdon responded with the following in her second article on the subject:
No, I don't. I also don't believe that the vast majority of American teenagers live in anything like hell. Adolescence can be a turbulent time, but it doesn't last forever and often—leaving aside the saddest cases—it feels more dramatic at the time than it will in retrospect. It is surely worth our taking into account whether we do young people a disservice by seeming to endorse the worst that life has to offer.
Fall of 1999
My own thoughts? I don't believe that by publishing "edgy" fiction for young adults that adults or society is "endors[ing] the worst that life has to offer." In the case of The Perks of Being a Wallflower, Charlie experiences a range of events in which I personally encountered while in high school including the suicide of a classmate and dating violence.

I loved the book and found it to be powerful, perspicacious, and moving. In fact, I wish I would've read it back when it was first published in 1999 as it would've given me much comfort during such a tumultuous time in my life. (The crazy part: Back in the day, I likely shelved it many times while working as a Page at Oxford Public Library.) I believe that YA has the power to save hence my support of the YA Saves Project.

My favorite passage:
"And we could all sit around and wonder and feel bad about each other and blame a lot of people for what they did or didn't do or what they didn't know. I don't know. I guess there could always be someone to blame. Maybe if my grandfather didn't hit her, my mom wouldn't be so quiet. And maybe she wouldn't have married my dad because he doesn't hit her. And maybe I would never have been born, so I don't know what to say about it all especially since my mom seems happy with her life, and I don't know what else there is to want.

It's like if I blamed my aunt Helen, I would have to blame her dad for hitting her and the friend of the family that fooled around with her when she was little. And the person that fooled around with him. And God for not stopping all this and things that are much worse. And I did do that for a while, but then I just couldn't anyone. Because it wasn't going anywhere. Because it wasn't the point.

I'm not the way I am because of what I dreamt and remembered about my aunt Helen. That's what I figured out when things got quiet. And I think that's very important to know. It made things feel clear and together. Don't get me wrong. I know what happened was important. And I need to remember it....So, I guess we are who we are for a lot of reasons. And maybe we'll never know most of them. But even if we don't have the power to choose where we come from, we can still choose where we go from there. We can still do things. And we can try to feel okay about them" (pp 210-211).
Favorite quotes:
"And in that moment, I swear we were infinite."
"And I guess I realized at that moment that I really did love her. Because there was nothing to gain, and that didn't matter."

"I think the idea is that every person has to live for his or her own life and then make the choice to share it with other people. Maybe that is what makes people 'participate.'"

"I am both happy and sad at the same time, and I'm still trying to figure out how that could be."

"I just want you to know that you’re very special… and the only reason I’m telling you is that I don’t know if anyone else ever has."

"I just hope I remember to tell my kids that they are as happy as I look in my old photographs. And I hope that they believe me."

"I walk around the school hallways and look at the people. I look at the teachers and wonder why they're here. If they like their jobs. Or us. And I wonder how smart they were when they were fifteen. Not in a mean way. In a curious way. It's like looking at all the students and wondering who's had their heart broken that day, and how they are able to cope with having three quizzes and a book report due on top of that. Or wondering who did the heart breaking. And wondering why."
And I leave you with one of my favorite censorship quotes by Lester Asheim:
"Selection seeks to protect the right of the reader to read; censorship seeks to protect—not the right—but the reader from himself from the fancied effects of his reading. The selector has faith in the intelligence of the reader; the censor has faith only in his own."

Here's a playlist of songs I put together from the book -- "Charlie's Mixtape"

Friday, November 30, 2012

Practicum: Complete

Utterly exhausted...
Yesterday evening, I officially completed LIS 7640 -- my public library practicum: I logged my last few hours at CADL, wrote a blog post about my activities and observations, and published a summary of my overall experience!

I wrote:
My practicum experience mainly focused on surveying both the legal community as well as the library's patrons as to their legal information needs, reviewing and then weeding the library's legal collection, and creating a pathfinder of legal resources. For these projects, I utilized knowledge and skills acquired from LIS 7340 (Collection Development with Dr. Holley).
My secondary projects involved creating three annotated bibliographies for the library's young adult department -- Hunger Games Read-Alikes, Exploring Books Across Genres: A Guide to Teen Lit for Girls, and Exploring Books Across Genres: A Guide to Teen Lit for Guys. For these projects, I utilized knowledge and skills acquired in LIS 6530 (Young Adult Literature with Suzanne Todd) and LIS 7250 (Programming for Children and Young Adults with Suzanne Todd).
I am very satisfied with my experience and I am aware that my site supervisor is satisfied as well: "You give me new faith in the profession and what it is and will be. Thanks for everything you’ve done and especially the joy and enthusiasm you bring." Dievendorf provided me with a copy of my evaluation and it honestly brought tears to my eyes -- it was that touching. While CADL is not currently hiring, I have been asked if I would be interested in working on additional projects for the library. I am honored and have already made arrangements to do so.
As part of our final practicum posting, it was optional to provide a picture. Before leaving, I made a point to take snap a picture (via my webcam) which I've embedded in this post. I would have much rather used this picture (which I snapped on my way to my practicum earlier in the week):

So...now all I have left is finishing up my research proposal for LIS 7996. Currently, I am over halfway done writing the literature review and then I will be onto methodology, analysis of the data, limitations, and possibilities for future research.

In the next day or so, I'll share photos from my practicum experience -- mostly snapshots of various books in which I encountered while working. Only the bibliophiles out there will likely appreciate them.

Thursday, August 23, 2012

Fifty Shades of Grey

I just finished reading Fifty Shades of Grey by E.L. James. My favorite part: the ending. Ana was incredibly brave, strong, and honest -- characteristics in which I admire -- and to be completely honest, I felt that it was, singularly, the best written portion of the novel. I promised a review, but I don't think I can write one for this piece.

Will I read the other two books? Yes, even though this genre is not really my cup of tea as I much prefer historical fiction.

Would I buy this book for a public library? Yes. I am a firm believer that a public library's purpose is to serve the entire community and there is certainly an interest. In the words of Jo Godwin, "A truly great library contains something in it to offend everyone."

Now onto Tess of the d'Urbervilles by Thomas Hardy...

Tuesday, August 14, 2012

Adventures in the Z Class

Yesterday, I seized the day by visiting the Library of Michigan while I am still on break between semesters and got lost in the Z class for a few hours browsing my favorite topic: censorship and intellectual freedom.

Between interviewing directors and practicing librarians as well as reading a fabulous book titled True Stories of Censorship Battles in America's Libraries -- edited by Kathy Barco and Valerie Nye -- I seem to have a pretty good grasp on the patron-side of challenges and censorship which prompted me to explore materials from the view of  librarians that are actually pro-censorship. So...I picked up Censorship: Opposing Viewpoints and read Thomas Storck's essay titled, A Case for Censorship: Defending the Poor from the Jaded Rich. 

Needless to say, I was pretty floored and as a result ended up logging into Facebook to capture a sentence in the essay's introduction. My status update read, "There is something wrong with the following sentence: 'Storck, a librarian in Washington, D.C., insists that censorship can both prevent harmful acts and facilitate society's intellectual pursuit of truth.'"

Thomas Storck (1994) posits: 
"For, human nature being what it is, it is naive to think we can freely read and view things that promote or portray evil deeds without sometimes feeling encouraged to commit such deeds. And if this is the case, then censorship can sometimes be a necessity...[case for censorship]...It can be stated in the following simple thesis: ideas lead to actions, and bad ideas often lead to bad acts, bringing harm to individuals and possible ruin to societies. Just as the state has the right to restrict and direct a person's activities when he is a physical threat to the community, so also in the matter of intellectual or cultural threats, the authorities have duties to protect the community." (Pages 18-19)
Further... 
"The ideal censor is not some ill-educated, parochial bigot, but someone of liberal education and continued wide reading, someone with a grasp of first principles and enough experience and wisdom to see how they should be put into practice." (Page 23)

"A final point that must be noted is the connection between anti-censorship arguments and the free market...It is primarily the rich who promote and subsidize ideas and art that undermine traditional ways of life, and it is primarily the poor who suffer on that account. Society exists to protect and promote the welfare of all, but especially of the poor and the workingman. To exalt the free and irresponsible expression of the individual is to take up a position contrary to the community's duty of protecting the poor...Only those with sufficient money and ennui have the time or resources to produce ideas or art that corrupt or debase." (Page 23 - 24)

My thoughts...
I wholeheartedly concur with the sentiments of Lester Asheim -- "Selection seeks to protect the right of the reader to read; censorship seeks to protect—not the right—but the reader from himself from the fancied effects of his reading. The selector has faith in the intelligence of the reader; the censor has faith only in his own."

While some might be disgusted by the availability of a book they deem 'morally bankrupt', I align myself with good old Ranganathan and his 5 laws of library science -- specifically: (2) Every reader his (or her) book; and, (3) Every book its reader. We live in a free society and people have the right to read what they wish to read...and not be censored by some "well meaning" individual. I wholeheartedly believe that a good public library will truly have something to offend everyone...and if it doesn't...then it's someone's private library.

Monday, July 16, 2012

Mein Kampf

The American Library Association runs a listserv called ifaction which is short for Intellectual Freedom Action. Recently, via the listserv, Erin Sommerfeld shared an interesting article on Mein Kampf which was originally published in The Chronicle of Higher Education: Defusing Mein Kampf by Paul Hockenos

Other posts I've made about the infamous Mein Kampf by Adolf Hitler:
Mein Kampf: A Case Study
Meeting Mein Kampf

Thursday, July 12, 2012

Rosenburg's First Law of Reading

My response to The Power of Young Adult Fiction published by The New York Times:

TIME magazine columnist, Joel Stein said, “The only thing more embarrassing than catching a guy on the plane looking at pornography on his computer is seeing a guy on the plane reading ‘The Hunger Games.’ Or a Twilight book. Or Harry Potter. The only time I’m O.K. with an adult holding a children’s book is if he’s moving his mouth as he reads.” (Newsflash: you're a bully, Joel Stein.)

It’s really disheartening to know that grown adults are sometimes hesitant to pick up a book because others might judge them for reading something other than adult fiction. Judging a person based on what they read is petty and small – in fact, as library professionals, it is our ethical duty to uphold intellectual freedom and resist efforts to thwart access to materials based on age, sex, background, etc. I believe in the freedom to read -- be it children's fiction or erotica, if that's your cup of tea.

I couldn’t agree more with Rosenberg's First Law of Reading which states: "Never apologize for your reading tastes."

Author Patricia McCormick stated, “We’re competing with Facebook and smartphones, DVRs and iPods – not to mention SATs and extracurriculars. We have to capture and hold our readers’ (limited) attention on Page 1 and sustain it until the end.” And McCormick was only considering the YA spectrum – in this world of instant gratification, I am pleased to know that people are still reading. Who cares what they’re reading?! I only care that they are reading.

I not only appreciated, but wholeheartedly concurred with the following comments:
“It’s because adults are discovering one of publishing’s best-kept secrets: that young adult authors are doing some of the most daring work out there. Authors who write for young adults are taking creative risks – with narrative structure, voice and social commentary – that you just don’t see as often in the more rarefied world of adult fiction.” – Patricia McCormick, Authors Taking Risks Isn’t Kid Stuff.

“So what do regular adults see in young adult fiction? It's a different experience from reading, for example, literary fiction. Not better or worse, just different. The writing is different: young adult novels tend to emphasize strong voices and clear, clean descriptive prose, whereas a lot of literary fiction is very focused on style: dense, lyrical, descriptive prose, larded with tons of carefully observed detail, which calls attention to its own virtuosity rather than ushering the reader to the next paragraph with a minimum of fuss. That kind of writing can be marvelous, but sometimes you're just not in the mood for it…Bottom line, there's one thing that young adult novels rarely are, and that's boring. They're built to grab your attention and hold it. And I'm not as young as I once was. At my age, I don't have time to be bored.” – Lev Grossman, Nothing’s Wrong With Strong Plot and Characters.
And, writer Ilsa J. Bick:
“Really, what it comes down to? It’s the story. YA or not, if the story sucks, people won’t read it. If the story is great and just happens to be YA, people will. End of story.”
(To read Bick's full opinion, please visit her blog.)

Saturday, June 16, 2012

Note to Self: Defending a Book

While watching this week's lecture, I felt the need to write a note to my (future) self:
When practicing collection development, every book in which you choose to purchase should be able to be defended if a patron so happens to decide to challenge the item. If you can't defend it -- don't purchase it.

Sunday, June 3, 2012

On Contemporary Realistic Fiction

Earlier today I read an article published by the Wall Street Journal which got me pretty fired up: Darkness Too Visible by Megan Cox Gurdon. The tagline: "Contemporary fiction for teens is rife with explicit abuse, violence and depravity. Why is this considered a good idea?"

Maybe Amy Freeman lives under a rock and doesn't visit Barnes and Noble all that often, but based on her inept description of the YA area, "it was all vampires and suicide and self-mutilation, this dark, dark stuff," it certainly sounds like she lives under one. Why? As a frequent customer of BN as well as the public library, the YA genre is not all about vampires, suicide, and cutting; however, popular reads right now tend to be a bit more weighty and focus on issues beyond finding the perfect dress for prom. BN typically stocks bestselling fiction and well as those works which have received favorable reviews from trending sources such as Publishers Weekly and Booklist. Another student aptly labeled their post on the discussion board "supply and demand" -- the heavier and deeper types of books are selling and they're selling for a reason.

The library context...
In 1931, Ranganathan created the 5 laws of library science -- two of the laws are pertinent to this situation:
(2) Every reader his (or her) book -- "This law suggests that every member of the community should be able to obtain materials needed. Ranganathan felt that all individuals from all social environments were entitled to library service, and that the basis of library use was education, to which all were entitled. These entitlements were not without some important obligations for both libraries/librarians and library patrons. Librarians should have excellent first-hand knowledge of the people to be served. Collections should meet the special interests of the community, and libraries should promote and advertise their services extensively to attract a wide range of readers" (Wikipedia).
(3) Every book its reader -- "This principle is closely related to the second law but it focuses on the item itself, suggesting that each item in a library has an individual or individuals who would find that item useful" (Wikipedia).
In my personal statement which I included with my application for admission into this program, I cited an overwhelmingly heavy caseload of incest cases which involved teenage girls as victims -- their perpetrators: fathers and brothers. It was absolutely heart-wrenching to see these cases come in -- many of them had withheld their stories for years. As of result of what they were going through, several of these young women had turned to abnormal coping strategies such as substance abuse, cutting, eating disorders, pulling out hair, and promiscuity. In counseling sessions with adult victims of domestic violence, a great many of them cited being sexually abused as children or young adults. And these are just the cases in which the victims have come forward and chosen to speak out -- how many are out there walking around holding onto their nightmare-reality? Chances are that there is an overwhelming number of victims and survivors out there -- their friends and non-offending family members are commonly referred to as secondary victims and they too are affected by the trauma.

We live in a pretty ugly world today. In reality, I think it's been ugly for ages but now people are choosing to break their silence which has likely prompted the changes in today's contemporary realistic fiction which now not only includes stories about sexual abuse, but also the realities of 'coming out', bullying, teen sex / pregnancy, eating disorders, substance abuse, cutting, and suicide.

If Freeman isn't comfortable with her child reading certain materials, than she simply doesn't have to purchase them; however, to complain about the mere availability of such materials smacks of ignorance and only facilitates in thwarting those experiencing certain situations from having access to information which could possibly offer comfort and encouragement. If she's looking for a good, safe, "clean" read for her teen than I would strongly suggest sticking to the Inspirational / Christian Fiction genre. However, chances are pretty high that Freeman's teen knows someone or has personally experienced a situation spelled out in a piece of today's contemporary realistic fiction.

Here are some statistics that pertain only to the dating violence aspect:
  • About one in three high school students have been or will be involved in an abusive relationship.
  • Forty percent of teenage girls ages 14 to 17 say they know someone their age who has been hit or beaten by a boyfriend.
  • A survey of 500 young women, ages 15 to 24, found that 60 percent were currently involved in an ongoing abusive relationship and all participants had experienced violence in a dating relationship.
  • One study found that 38 percent of date rape victims were young women from 14 to 17 years of age.
(Source: Alabama Coalition Against Dating Violence)

Saturday, May 26, 2012

The Stack

While doing some tidying up earlier this morning, I added a few more "conquered" books to a growing stack on my piano. Outside of textbooks and academic articles, I am surprised by how much I've read since January! (I'd like to let the record reflect that not all of these books are stacked on the piano -- many were checked out from my local library, museum, and/or borrowed via inter-library loan.)

Here's a list of what I've read thus far:
  1. The Girl Who Kicked the Hornet's Nest by Stieg Larsson   
  2. Miss Peregrine's Home for Peculiar Children by Ransom Riggs 
  3. Peak by Roland Smith 
  4. Ashes by Ilsa J. Bick 
  5. Divergent by Veronica Roth 
  6. Insurgent by Veronica Roth 
  7. The Maze Runner by James Dashner 
  8. The Scorch Trials by James Dashner  
  9. The Death Cure by James Dashner 
  10. The Replacement by Brenna Yovanoff 
  11. Persepolis by Marjane Satrapi 
  12. I am J by Cris Beam 
  13. Tina's Mouth: An Existential Comic Diary by Keshni Kashyup 
  14. The Hunger Games by Suzanne Collins 
  15. Catching Fire by Suzanne Collins 
  16. Mockingjay by Suzanne Collins 
  17. Fahrenheit 451 by Ray Bradbury
  18. Fahrenheit 451: The Authorized Adaptation (graphic novel) by Ray Bradbury and Tim Hamilton 
  19. Match to Flame: The Fictional Paths to Fahrenheit 451 by Ray Bradbury, Donn Albright, and Jon Eller
  20. A Pleasure to Burn: Fahrenheit 451 Stories by Ray Bradbury 
  21. Ray Bradbury by Wayne Johnson
  22. 120 Banned Books: Censorship Histories of World Literature by Nicholas J. Karolides, Margaret Bald, and Dawn B. Sova
  23. True Stories of Censorship Battles in America's Libraries edited by Kathy Barco and Valerie Nye
  24. The Witch's Daughter by Paula Brackston
  25. Banned Books: Literature Suppressed on Social Grounds by Dawn B. Sova
  26. The Boy in the Striped Pajamas by John Boyne
  27. Conjured by Chelsea Bellingeri
  28. Article 5 by Kristin Simmons
  29. Shooting Kabul by N.H. Senzai
  30. The Hundred Dresses by Eleanor Estes
  31. Europe's Free Press: The Underground Newspapers of Occupied Lands Described as Far as the Censor Permits by Vincent Brome
  32. Exhibit Labels: An Interactive Approach by Beverly Serrell
  33. Exhibit Makeovers: A Do-It-Yourself Workbook for Small Museums by Alice Parman and Jeffrey Jane Flowers
  34. Hitler's Mein Kampf in Britain and America: A Publishing History, 1930-39 by James J. Barnes
  35. How to (Un)cage a Girl by Francesca Lia Block
  36. Jar City: A Reykjavík Thriller by Arnaldur Indridason
  37. Percy Jackson & the Olympians (1): The Lightning Thief by Rick Riordan
  38. Preservation Management for Libraries, Archives, and Museums edited by G.E. Gorman and Sydney J. Shep
  39. Terrible Things: An Allegory of the Holocaust by Eve Bunting
  40. The Jews of Warsaw, 1939-1943: Ghetto, Underground, Revolt by Yisrael Gutman
  41. X-Men: Magneto Testament by Pak and Di Giandomenico
  42. Oxymoronica: Paradoxical Wit & Wisdom From History's Greatest Wordsmiths by Mardy Grothe
  43. Spilling the Beans on the Cat's Pajamas by Judy Parkinson
Not bad for almost 6 months (plus being in graduate school)!

Wednesday, March 28, 2012

H.W. Wilson

Yesterday afternoon, I received news from the School of Library and Information Science that I was selected as a recipient of the H.W. Wilson scholarship! 

I plan on using the scholarship to defray costs associated with enrolling in LIS 7990 (directed study) in order to pursue my research interest: censorship and intellectual freedom during the Third Reich -- clandestine publishing, underground libraries, the Nazi book burnings of 1933, the banned book list, and textbook censorship.

Tuesday, March 27, 2012

Bradbury Medley

Over the past few days, I've had a number of friends and colleagues inquire as to how I am doing. (Thank you for asking.) Here's the update:
While I seemed to have regained some of my energy and the sinus infection seems to be pretty much cleared up, my lungs are still exhibiting the crackle sensation and sound characteristic of pneumonia...and I'm still coughing...a lot.

My follow-up appointment is on Thursday morning and I was already told that I'll be having another chest x-ray.
Today, I spent the majority of the morning and afternoon working on my term paper for LIS 7790 (the history of books, printing, and publishing). My topic: the history of Fahrenheit 451 by Ray Bradbury. I downloaded, via iTunes, The Hunger Games: Songs from District 12 and Beyond and jammed out while writing. Despite still feeling like klunk (a reference to The Maze Runner), I have thoroughly enjoyed this paper and am excited to submit the final product to Dr. Neavill within the next few days. I'll likely share something here, too, as I learned so much about the book!

Here's a fact: In 1967, Ballantine Books published a censored and expurgated edition of Fahrenheit 451 without Bradbury's knowledge or adding notation to the copyright page on the verso. From 1973 - 1979, only the expurgated edition of the book was available until an observant friend alerted Bradbury. Thankfully, since 1980, only the "pure" unexpurgated edition of the book has been available (Sova, 2006).

Further thoughts on the SLIS listserv before putting the issue to rest and moving on...
I'll cite it again and again and again.
V. We treat co-workers and other colleagues with respect, fairness, and good faith, and advocate conditions of employment that safeguard the rights and welfare of all employees of our institutions (ALA Code of Ethics).
Five points to think about before responding:
  1. Is it True?
  2. Is it Helpful?
  3. Is it Inspiring?
  4. Is it Necessary?
  5. Is it Kind?
As I've stated to my classmates, there is already enough negativity in the field at the moment with the economy being what it is and library budgets subsequently being decimated coast to coast. It is one thing to discuss the SLIS program and the direction it should be taking...or the direction students should be taking in order to prepare themselves for successfully entering the field...and something completely different (not to mention off-topic and unethical) to bash students...even the unmotivated.

What I'd, personally, like to hear instead:
...tell me about what inspired you to become a librarian...do you still like your job...what do you wish you knew more about...if money was no object, which workshops or classes would you take...what do you wish you'd done differently, if anything...what's your favorite part of the job...least favorite part of the job...where do you see the field in 10 years...what are your thoughts on OverDrive and the Penguin situation...do you go to conferences...have you ever dealt with a challenge to a book or item before...what's on your professional bookshelf...what is your board like...what review sources do you prefer...what is your professional wardrobe like...what was your first job...did you do a practicum...what was your favorite class...what's your dream job...

I've had a very long day and tomorrow is going to be even longer. Gute Nacht, meine Freunde.

Wednesday, February 29, 2012

Meeting Mein Kampf

A young JC..
The Preamble of the United States Constitution cites several rationales for the creation of the document -- among the reasons: "[to] secure the blessings of liberty to ourselves and our posterity." Enter intellectual freedom. Under the first amendment of our beloved Constitution, Americans are granted not only the freedom to express their views (excluding slander and libel), but to read what they wish to read. In the context of libraries, specifically the public variety for the purposes of this essay, efforts made to thwart library patrons from reading and/or having access to certain material(s) is deemed as censorship -- a threat to intellectual freedom and the first amendment.

My fascination with intellectual freedom and censorship began not when I entered library school, but rather during the tumultuous years of my adolescence. It initially began as a pseudo-experiment in a suburban public library involving an infamous book and evolved into something much bigger. Perhaps my fascination could be attributed to teenage rebellion and testing of boundaries rather than a budding love for the field of library and information science -- regardless of my underlying motive, I was intrigued and still am...

The Ramblings of a Dead Man
After learning about the mere existence of the controversial book Mein Kampf by Adolf Hitler at school, I headed to my local public library in order to find it. Not only did I want to read the book for myself and attempt to understand why it was so controversial, but I wanted to see if I would be allowed to check the book out. Using the library's newly computerized catalog, I did a basic search and located the book on my own without involving staff. I sat down at a table out of view of possible prying eyes and began quickly leafing through the book.

At that very moment in my life, being both naive and somewhat limited in historical knowledge, I was searching for text that could possibly cause a parent or teacher to become upset and disapprove -- such as glaring obscenities. Nothing jumped out -- to my juvenile eyes, the book consisted of nothing but the long ramblings of a dead man. I walked to the circulation desk and proceeded to produce my library card for the clerk.

Possible Outcomes
Based on policy set by the library and even the personal beliefs of the clerk working the circulation desk, there are a number of possible outcomes to the anecdote in which I purposely left hanging. The following paragraphs will propose several possible outcomes:

Outcome (1)
Handing my card to the clerk, she takes a look at me and realizes that I am the daughter of Russ and Diana. In scanning the barcode on the book, the clerk takes a look at the cover and states, "I know your parents. We play golf together and I know they wouldn't approve of you reading this book." The clerk refuses to continue the transaction and places the book on a cart behind the circulation desk for re-shelving by a library page. Feeling embarrassed and dejected, I leave the library and head for home.

Outcome (2)
Handing my card to the clerk, she scans the barcode and glances at the computer screen. In a blink of an eye, she is walking away from the desk and going into the back office from where she reappears with an authoritative-looking woman. It is explained to me that based on the library's policy, patrons under the age of 18 are not allowed to check out materials from the adult collection. Feeling embarrassed and dejected, I leave the library and head for home.

Outcome (3)
Handing my card to the clerk, she smiles at me and inquires if I found everything in which I was looking during my visit. I smile back, "Yes, thank you." She scans the barcode on the book and promptly reminds me of the due date. I put away my library card as the clerk smiles, yet again, while wishing me a good evening. Surprised at my luck, I leave the library before she has a chance to change her mind.

Discussion
The Online Dictionary for Library and Information Science by Joan M. Reitz defines in loco parentis as a Latin phrase meaning, "'in place of a parent,' usually a person who temporarily assumes parental authority." In the case of outcome (1), the clerk is acting in loco parentis  by deciding what content the patron should or should not be accessing. Outcome (2) depicts the library director and clerk abridging services to a patron based on age. While the spirit of library staff might be to "protect" a child or young adult -- in actuality they are infringing upon the patron's right to intellectual freedom as provided by the First Amendment of the Constitution as well as violating Article V of the Library Bill of Rights. Also to be considered, what is offensive to one person or culture might not be to another.

Article V of the Library Bill of Rights as developed by the American Library Association posits, "A person’s right to use a library should not be denied or abridged because of origin, age, background, or views." The ALA offers an interpretation of the Article:
The "right to use a library" includes free access to, and unrestricted use of, all the services, materials, and facilities the library has to offer. Every restriction on access to, and use of, library resources, based solely on the chronological age, educational level, literacy skills, or legal emancipation of users violates Article V...Children and young adults unquestionably possess First Amendment rights, including the right to receive information through the library in print, non-print, or digital format. Constitutionally protected speech cannot be suppressed solely to protect children or young adults from ideas or images a legislative body believes to be unsuitable for them. Librarians and library governing bodies should not resort to age restrictions in an effort to avoid actual or anticipated objections, because only a court of law can determine whether material is not constitutionally protected.
Furthermore, Vaillancourt (2000) helps break down the intellectual freedom discussion by offering three points to consider: (1) It is up to the child and his or her parent to determine what material is appropriate for him or her; (2) The librarian may not impose his or her own personal or moral views on people seeking information; (3) Individual parents cannot speak for any children but their own.

Opinion
Many libraries include a statement of responsibility on their patron applications, such as the application used by Oxford Public Library, which states, "I accept responsibility for materials borrowed on the library card issued from this application. Responsibility for the choice of materials rests with the person(s) whose signature(s) appear the signature lines below and not with the library system or its staff." The application includes two signature lines: one for the parent/guardian and the second for the minor child.

When dealing with an ethical dilemma, the situation is never straightforward; therefore, I find it imperative that libraries take a proactive stance by implementing a statement of responsibility for patron applications similar to the practice at Oxford Public Library. Initiative should not stop there; librarians need to take time to talk with parents and guardians to educate them about the library’s mission, roles, and limitations when it comes to their children’s needs and access to information. The American Library Association developed and amended the Library Bill of Rights for good reason and professionals have an obligation to align themselves.

The Outcome
According to Vaillancourt (2000):
Teens are often interested in controversial topics. Subjects such as sexuality, religion, drug and alcohol use, music, philosophy, and psychology are often explored for the first time during adolescence. Reading and talking about these issues allows teens to discover how they feel about things, which leads to an understanding of who they are on a variety of levels. It is essential to healthy development.
Fortunately, my anecdote concludes with outcome (3) -- I was able to check out Mein Kampf by Adolf Hitler without issue or even an obviously raised eyebrow. As a relatively naive fourteen year old, I found Mein Kampf to be unremarkable and a complete chore to read cover to cover -- which I did. Also fortunate, I cannot cite a single instance of being thwarted while browsing or checking out materials from the adult collection. In the past when I inquired at the reference desk for assistance with school projects, I was always shown both juvenile and adult materials which, by the way, were shelved in different areas of the library. I am pleased to say that the library's philosophy and practices aligned with the Library Bill of Rights.

Note: I would like to let the record reflect that I've re-read Mein Kampf and found it to be disturbing and still tedious to read (in the context of being full of ramblings). Currently, I am working on a case study for LIS 7790 (History of Books, Printing, and Publishing) which focuses on the publication history of the book. Hopefully, this time next year, I will be researching the topic of Intellectual Freedom and Censorship Issues During the Third Reich (think: clandestine publishing, underground libraries, the Nazi book burnings of 1933, the banned book list, and textbook censorship).

Sources

Saturday, January 7, 2012

30Y.30L Tour (#19): Port Austin Township Library

Image by Andy Thompson
On Friday, December 16, I headed north to the lakeside Village of Port Austin to meet with Mary Jaworski, director of the Port Austin Township Library.

Location
Port Austin is located in northern Huron County which is technically a peninsula of a peninsula. From my home library (Sandusky District Library), Port Austin Township Library is about 50 miles, or an hour, northeast. State highway M-53, otherwise known as Van Dyke Road, ends in downtown Port Austin.

For those not familiar with the area, Port Austin Township Library is about 130 miles, or 2.75 hours, almost directly due north of the Purdy-Kresge Library, which houses the School of Library and Information Science, on Wayne State University's downtown Detroit campus.

Service Area, Size, and Operating Budget
Port Austin Township Library serves four complete townships, in addition to the Village of Port Austin: Gore, Huron, Hume, and Lake as well as portions of Lincoln. Currently, there is a population of 5,303 in the library's service area which gives the library a Class 2 designation.

According to the Library of Michigan, a Class 2 library- serves a population of 4,000 to 6,999 and needs to:
  • Be open a minimum of 20 hours per week.
  • Employ (at least 20 hours per week) a director with at least a Level 4 certificate.
Other relevant facts and figures:
  • Port Austin Township Library is open 35 hours a week during the summer and 32 hours a week during the winter months.
  • The library employs 4 part-time staff and operates with a budget of $72,000.
  • Items in collection: 14,000.
  • Annual circulation: 22,000. 
Mary Jaworski busy at work!
About the Director
Mary first joined the LIS field 23 years ago due to her love of reading. She has been in her current position for 19 years.

Favorite part of the job: "Talking to the people. [The library] is like a bar, but without any booze." Least favorite part of the job: "State aid report."

Advice to those entering the profession: "You have to like the people and very diverse. Not be censoring..."

Intellectual Freedom
Last year, when I was required to visit several libraries for LIS 6010 with Dr. Maria Gonzalez, I began asking librarians how the Harry Potter series was received in the community. The series has experienced controversy over the years and has landed itself on the frequently challenged materials list compiled by the American Library Association.

According to Jaworski, the Potter series was challenged with two - three patron issues. Of note, in the past, other books and materials have been challenged by library patrons.

Notes and Observations:
Showing off a literary find in the library's WWII collection!
  • My best friend, The Most, photographed this library.
  • Next year, the library hopes to begin building an addition which will nearly double the building's size. 
  • Special collections: local history, large print, and local artwork on display. The local history collection is housed in its own room with a computer available for projects.
  • The library participates in the Accelerated Reader program.
  • No spine labels adorn the adult fiction collection -- even noting the author's last name.
  • Port Austin Library has a very large DVD and audiobook collection. 
  • When asked about the most popular part of the library's collection, Jaworski said, "the DVDs." 
  • Out-of-area patrons may subscribe to library services by way of an annual $40 fee. 
  • The library offers book delivery for patrons who are home-bound.
  • Like many libraries toured for this project, Port Austin Township Library is a member of the White Pine Library Cooperative
  • Port Austin Township Library is not automated (still makes use of the card catalog system).
  • The library's interior is painted a lovely sage green color -- one of my favorite colors!
  • One of the bonuses of touring all of these libraries: I usually find a book or two that I want to read. In this case, it was The War that Never Ended by Gregor Dallas. 
  • The library has a baby hat project with yarn available for patrons to take home. 

Friday, November 11, 2011

Caged Bird

Last Friday night, I finished the 1969 autobiography by Maya Angelou, I Know Why the Caged Bird Sings. I was moved by this book and highly recommend reading it.

Facts:
The Title:
Suggested by Abbey Lincoln, the title originates from a poem by Paul Laurence Dunbar titled Sympathy (third stanza):
I know why the caged bird sings, ah me,
When his wing is bruised and his bosom sore,
When he beats his bars and would be free;
It is not a carol of joy or glee,
But a prayer that he sends from his heart's deep core,
But a plea, that upward to Heaven he flings –
I know why the caged bird sings.
Publisher's Weekly:
As in Wouldn't Take Nothing for My Journey Now, famed poet and author Angelou (I Know Why the Caged Bird Sings) casts a keen eye inward and bares her soul in a slim volume of personal essays. This collection is narrower in scope than Angelou's earlier book and the sense of racial pride is stronger, more compelling. But all of her opinions are deeply rooted and most are conveyed with a combination of humility, personable intelligence and wit. Like a modern-day Kahlil Gibran, Angelou offers insights on a wide range of topics-Africa, aging, self-reflection, independence and the importance of understanding both the historical truth of the African American experience and the art that truth inspired. Women are a recurrent topic, and in "A Song to Sensuality," she writes of the misconceptions the young (her younger self included) have of aging. "They Came to Stay" is a particularly inspirational piece paying homage to black women: "Precious jewels all." Even Oprah Winfrey (to whom the previous collection was dedicated) serves as subject matter and is likened to "the desperate traveler who teaches us the most profound lesson and affords us the most exquisite thrills." In her final essay, Angelou uses the story of the prodigal son to remind readers of the value of solitude: "In the silence we listen to ourselves. Then we ask questions of ourselves. We describe ourselves to ourselves, and in the quietude we may even hear the voice of God."

Friday, November 4, 2011

Lolita

Sue Lyon as Lolita (1962)
At Lit to Film Club this past week, we discussed the book Lolita by Vladimir Nabokov and viewed the 1962 film directed by Stanley Kubrick. As predicted, the discussion was rich and full of opinions.

Of course, I added to the dialogue by mentioning that Lolita is a frequently challenged (and banned) book. According to the American Library Association:
Banned as obscene in France (1956-1959), in England (1955-59), in Argentina (1959), and in New Zealand (1960). The South African Directorate of Publications announced on November 27, 1982, that Lolita has been taken off the banned list, eight years after a request for permission to market the novel in paperback had been refused. Challenged at the Marion-Levy Public Library System in Ocala, FL (2006). The Marion County commissioners voted to have the county attorney review the novel that addresses the themes of pedophilia and incest, to determine if it meets the state law’s definition of “unsuitable for minors.”
Natalie Portman's Clutch
Due to its content, I admit to having a hard time reading the book. It hit too close to home by way of my work at SafePlace. As a result, I often ended up tabling the book and reading something else for a spell.

A fellow member of the Lit to Film Club mentioned that actress Natalie Portman sported a Lolita clutch at the opening of Black Swan. When I got home, I did some Googling and found an article by the LA Times: Natalie Portman's 'Lolita' clutch.


Monday, September 26, 2011

Something to Ponder

Lunch break! This morning, I have been working on an article for LIS 7560 which I will share here as soon as it clears the proofreader. The title: Harry Potter and the Cullen Clan Challenged: A Look at Censorship in Libraries.

Something to Ponder
About 2 years ago, I was talking to a colleague about her life and some of the challenges she has faced. That day she shared a saying with me in which I am very fond of, "Love people, use things. Never confuse the two." 

If only more people would truly reflect and take note...

Saturday, September 24, 2011

Classical Literature Under Fire

The following article in which I originally wrote for the Society is featured today on Lisa's World of Books and will hopefully be in the Sanilac County News and the Sandusky Tribune this coming week. I would like to thank MDM and ARL for their proofreading and editing services.

To many, the month of September brings the advent of fall which usually means cooler weather, soybean harvest, and apple cider. However, to those in the education and library science fields, it means the coming of Banned Books Week (September 24—October 1)! According to American Library Association, “Banned Books Week (BBW) is an annual event celebrating the freedom to read and the importance of the First Amendment.”

When thinking about censorship and our own country, I call to mind the Cold War-era — specifically Senator Joseph McCarthy’s antics. Could books still possibly be censored and banned today in our country...even the classics? Absolutely; however, not by the government, but rather by schools and public libraries at the request of individuals and occasionally groups.

The Office of Intellectual Freedom, under the American Library Association (ALA), collects and compiles data sent in from schools and libraries, as well as via the media, about materials that people and/or groups have found to be inappropriate for a library’s collection. There is a difference between challenging materials and the actual banning of them. The ALA defines the terms: “A challenge is an attempt to remove or restrict materials, based upon the objections of a person or group. A ban is the removal of those materials.”

Why are books, especially popular classics, challenged and sometimes banned? Popular reasons range from racism, explicit language, blasphemy, violence, religious viewpoints, and at times readers found the content to be inappropriate for the intended audience.

While writing this article, I fell into conversation with several of the staff and volunteers at the museum about this topic and many were surprised by the books that made the list — with several of them having been required reading while in high school. In Kathryn Stockett’s latest piece titled The Help (2009), one of the main characters, Eugenia “Skeeter” Phelan, says towards the beginning of the novel, “I head down the steps to see if my mail-order copy of The Catcher in the Rye is in the box. I always order banned books from a black market dealer in California, figuring [that] if the State of Mississippi banned them, they must be good.”

So which classics have been challenged and/or banned over the years? As Stockett hints, Catcher in the Rye (1951) by J.D. Salinger is a frequently challenged and banned book even though it was recognized by the Modern Library as one of the “100 best English-language novels of the 20th century.” Other works include several of which have won awards: Gone with the Wind (1936) by Margaret Mitchell (Pulitzer Prize), All the King’s Men (1946) by Robert Penn Warren (Pulitzer Prize), The Great Gatsby (1925) by F. Scott Fitzgerald (this piece was recognized by the Modern Library), The Grapes of Wrath (1939) by John Steinbeck (Pulitzer Prize), To Kill a Mockingbird (1960) by Harper Lee (Pulitzer Prize), Ulysses (1922) by James Joyce (this piece was recognized by the Modern Library, Lord of the Flies (1954) by William Golding (Golding won the Nobel Prize), Nineteen Eighty-Four (1949) by George Orwell (this piece was recognized by the Modern Library), Of Mice and Men (1937) by John Steinbeck (Steinbeck won the Nobel Prize), For Whom the Bell Tolls (1940) by Ernest Hemingway (nominated for Pulitzer Prize), The Adventures of Huckleberry Finn (1885) by Mark Twain, Call of the Wild (1903) by Jack London, and Brave New World (1932) by Aldous Huxley (this piece was recognized by the Modern Library). (To view a complete list, please visit the American Library Association at http://www.ala.org). To learn more about Banned Books Week, please visit http://www.bannedbooksweek.org.


About the Columnist:
JC Brown, a proclaimed bibliophile, is currently working on a Master in Library and Information Science at Wayne State University. She is a member of the American Library Association, Young Adult Library Services Association, and the Intellectual Freedom Round Table. In her spare time, Brown blogs about her various bookish adventures (Hermionish.com), enjoys workshops offered by the Historical Society of Michigan, and literature to film club at Oakland University.